News and Trackings

[Please send leads and information to angsta@shaw.ca]


January 31

This monthÕs activities:

¥      Revived this website with the new handle charlesolson.org É noting that the previous address charlesolson.ca has been appropriated for a weblog with material pirated from this site.

¥      Added this section as a kind of weblog to channel current information about Olson.

¥      Modified the Contents page.

¥      Made numerous additions and corrections to the Chronology.

¥      Added Tom McGauleyÕs amusing account of his tussle over the validity of his transcription of PrynneÕs Simon Fraser lecture.

¥      Added my review of Charles Olson at the Harbor.

¥      Added a notice about the 2010 publication of the 2nd edition of Muthologos: Charles Olson Lectures and Interviews, edited by Ralph Maud — a significant event in Olson scholarship.

¥      Updated The Ralph Maud Collection of Charles OlsonÕs Books to reflect the momentous news that Ralph donated his completed collection, the work of decades, to Simon Fraser University (where, at this juncture, it has not yet found lodging).

¥      Updated the Bibliography section

¥      Overhauled and updated the Links section.

¥      Amended the section about the Charles Olson Society to reflect RalphÕs completion of the journal project with Issue #67 (whose 62 pages and inserted The Horn of Ulf pamphlet reproduce his collected correspondence with Olson) É barring, he says, the receipt of further publishable manuscripts, and excepting the as yet undelivered guest-edited Issue #53, featuring OlsonÕs wartime involvement with the artist Ben Shahn.

All for now,

Peter Grant


January 2013

Web-surfing for vital signs of ÒOlson nowÓ yields a gem — Kenneth WarrenÕs collection of literary essays Captain PoetryÕs Sucker Punch: A Guide to the Homeric Punkhole, 1980-2012 (Buffalo, NY: BlazeVOX, 2012) for sale on Amazon as a Kindle edition for $5.

I encountered WarrenÕs richly allusive work on Charles Olson via the literary journal House Organ, copies of which Ralph Maud has passed on from time to time. Here they are presented in readable type — no magnifying glass needed, thanks be — along with presentations, papers and provocations of a little-practiced form WarrenÕs introducer calls the Òpoetico-critical essay,Ó highly readable, advancing the cutting-edge ideas of many contemporary American writers. Olson is by no means ubiquitous but still is there in the beginning and at the end of its 470 pages, and he is central — witness:

ÒThe Blood of the MuseÓ (House Organ 2000), a meditation on the nature of OlsonÕs relationship with Frances Boldereff as revealed in Charles Olson & Francis Boldereff: A Modern Correspondence (Maud and Sharon Thesen, editors; Wesleyan, 1999) and guided by Tom ClarkÕs interpretation that ÒBoldereff is OlsonÕs muse.Ó

ÒÉ a revelation of Hermetic inspiration passing between two great intellects in mid-life crisis to take up residence in the poem.

ÒWhen he discovers that the feminine image of himself is accessible through BoldereffÕs letters, he becomes a glutton for her words. The archaic karma of the flesh following the cannibalism of Call Me Ishmael is now at hand. In the end his own anima, not Boldereff, devours him.Ó

ÒCharles OlsonÕs Breath of ConspiracyÓ (HO 2001), a 50-page essay that uses Charles Olson Selected Letters (edited Maud, UC, 2000) to trace the evolving nexus of poetics and politics in OlsonÕs thought.

ÒSpanning from 1931 to 1969, Selected Letters invites the reader to dig more deeply into the old history that comes before OlsonÕs conversion to postmodern poetry.

ÒÉ shows that the political and social pressures within the first half of OlsonÕs life, particularly with regard to career, ideology and role identifications, can be more precisely related to the oppositional goal of his poetics than is typically represented.

ÒÉ a corrective to postmodern complacency in Olson scholarship.Ó

ÒThe Essence of Spider ManÓ (HO 2003), a review of Clayton EshlemanÕs Companion Spider (2001), Òthe most challenging book on mythopoetics published since John ClarkeÕs From Feathers to Iron in 1987.Ó

ÒJust as Clarke is OlsonÕs true successor in the upward thrust of imagination into the celestial realm of Sirius, Eshleman is his true successor in the downward thrust of imagination into the archaic realm of blood, cannibalism, monsters, and rockÉ

ÒLike Olson, Eshleman is up against destiny. He still tastes ÔThe Resistance,Õ feeling the effects of OlsonÕs Ôfore-shortened spanÕ.Ó

ÒCro-Magnon CognitionÓ (HO 2004), a review of EshlemanÕs Juniper Fuse: Upper Paleolithic Imagination and the Construction of the Underworld (2003).

ÒBeautifully produced Juniper Fuse is nothing less than a new found myth most profoundly in touch with Cro-Magnon cave art, primal gnosis, and the descending imago of Charles Olson. Like Olson, Eshleman is a poet of interdisciplinary mind É

ÒThe second significant force in EshlemanÕs matrix of initiation into chthonic mystery is Olson, whose knowledge path of Ôone saturation jobÕ in ÔPRIMARY DOCUMENTSÕ is explained in ÔA Bibliography on America for Ed Dorn.Õ Although no longer a novice, Eshleman concedes that OlsonÕs ÔadmonitionÕ to Dorn Ôplanted a seed in me for the writing of this bookÕ.Ó

ÒNorth to Charles OlsonÕs Polar PriesthoodÓ (presented at the Black Mountain North Symposium, Rochester NY, 2009), another psychologized reading of the Olson-Boldereff relationship, where

ÒAs the projective mechanism supercharges OlsonÕs unconscious for engagement with ÔThe She-Bear,Õ he offers Boldereff his North Pole, in other words, an ideal point of orientation to erotic spirituality, a polar dynamic shared with DanteÕs journey through Inferno, Purgatory, and Paradise ÉÓ

(WarrenÕs provocative thesis is interrupted by page references that seem not anchored to any work.)

ÒThe Tao of ÔTypos;Õ Archetypal Dynamics in Reactive BiographyÓ (HO 2009), an interpretation of Ralph MaudÕs Charles Olson at the Harbor (2008), employing C. G. JungÕs theory of personality types as elaborated in John GianniniÕs 2004 Compass of the Soul: Archetypal Guides to a Fuller Life to analyze MaudÕs quarrel with Tom ClarkÕs biography of Olson.

ÒGianniniÕs book provides a far-reaching guide for discerning the implicit structures of the psyche contained within OlsonÕs appropriations of JungÕs critical psychology. More crucially, his book makes visible the dialectical oppositions that OlsonÕs Ôimage of manÕ summons in the biographies written by Maud and Clark.Ó

ÒThe Deep Pivot of a CurriculumÓ (presented at the Charles Olson Centenary Conference, Vancouver, 2010), celebrating publication of the complete A Curriculum of the Soul.

ÒCharles OlsonÕs death is an occasion for the Institute of Further Studies and its director John Clarke to demonstrate through a group work-out with his departed spirit how right-brain synaptic firing past the semiotic logic suggested by ÔA Plan for a Curriculum of the SoulÕ might yield an intuitive unlearning process in projective heavenly Ôknow-how.Õ

ÒAfter OlsonÕs death Clarke wagers with Albert Glover that the Institute of Further Studies can evoke the Homeric Chain through which wise ones join heaven and earth and persist in unbreakable relationship with humans, gods, and nature É

ÒAfter OlsonÕs death Ôthe other pole of the worldÕ [Jung, Memories, Dreams and Reflections] fuels ClarkeÕs and GloverÕs aspirations for a collective alchemical production in the Homeric chain, only to be practiced and realized over the course of an astonishing forty year apprenticeship to the soul. Now, thanks to GloverÕs commitment to the visionary imagination, his period of apprenticeship is reaching completion through a book where the names of poets perish from singular isolation in solitary fascicles.Ó

ÒBetween Language and TaÕwil: Robert Creeley, Jack Clarke, and Poetics in Buffalo after OlsonÓ (presented at the Soul in Buffalo Symposium, Buffalo, 2010) examines, brilliantly, the enmities of Projective and L=A=N=G=U=A=G=E camps leading up to CreeleyÕs refusal to take on the ÒMindÓ fascicle of the Olson-inspired A Curriculum of the Soul.

ÒÉ Buffalo is an attractor site for the adversative moieties of a coincidentia oppositorum. I hope to demonstrate that with the Language movement becoming more and more visible during the late Seventies, SUNY Buffalo became a major site for a clash of poetics. É On the one hand, there is the left brain profane separatist particle Language clan of innies. This clan is indisposed toward the transcendental entity of soul. On the other hand, there is the right brain sacred participatory wave Olsonian clan of outies, disposed toward the transcendental entity of soul.

 ÒDialectically speaking, the serotonin drenched right brain participant experience of being ÔUnder the MushroomÕ in OlsonÕs projective vatic space had to give rise to the left brain prowess of deconstructive death ray adepts who serve the magical group-fashioning powers of the language-centered community.

ÒÉ the action of the Institute of Further Studies is substantially predicated on [Henry] CorbinÕs Hermetic notion of taÕwil, which he explains in Avicenna and the Visionary Recital (1960; 1988):

TaÕwil is, etymologically and inversely, to cause to return, to lead back, to restore to oneÕs origin and to the place where one comes home, consequently to return to the true and original meaning of a text. It is Ôto bring something to its origin. . . .Õ

ÒBy concentrating on the amplified implications of a detailed reading of OlsonÕs political and social formation,Ó Ammiel Alcalay summarizes in the afterword, ÒWarren provides an almost completely new framework for thinking about OlsonÕs unique placement as a conduit through which some of the 20th centuryÕs most vexed issues were channeled or found expression.Ó

A Curriculum of the Soul.

John Clarke and Albert Glover, editors.

Canton, NY: The Institute of Further Studies, 2010.

896 pp.

 ÒA collaborative text in twenty-eight books derived from ÔA Plan for a Curriculum of the SoulÕ by Charles Olson which appeared in The Magazine of Further Studies #5. Publication of A Curriculum began in 1968 with Charles OlsonÕs ÔPleistocene ManÕ (which now serves as an introduction to the completed text) as the first fascicle in an ongoing series that appeared between 1972 and 2002. After John ClarkeÕs death in 1992, Albert Glover finished the fascicle publications and then edited the entire collection as a single text which appeared in a fine press edition of fifty copies designed by Michael Russem and hand-bound by Sarah Creighton in Japanese silk for the Charles Olson centenary celebrations. Seven of ten copies remain for sale at $3,000 each to cover the costs of production.Ó

http://curriculumofthesoul.blogspot.ca/2011/03/la-curriculum-of-soul.html

(One copy listed at $3,000 on Amazon.com.)

ÒThe Community of THE CURRICULUM OF THE SOULÓ

By Joanne Kyger

[Author of Fascicle #24, ÒPhenomenology.Ó]

In Harriet, The Poetry Foundation's blog for poetry and related news.

http://www.poetryfoundation.org/harriet/2012/08/the-community-of-the-curriculum-of-the-soul/

Forthcoming:

After Completion: The Later Letters of Charles Olson and Frances Boldereff

Edited by Sharon Thesen and Ralph Maud.

Talonbooks, 2013.

Proceedings of the 2010 Centenary Conference at Canterbury, Kent.

Manchester University Press.

All for now,

Peter Grant